Đào Tùng, Đỗ Thanh Lãng, Nguyễn Ban Ga, Nguyễn Đức Đạt, Nguyễn Huy An, Nguyễn Trần Nam, Nguyễn Văn PhúcA collaborative installation 6𝒗➡️¹/² - June 8, 2025 May 18, 2025 Đào Tùng, Đỗ Thanh Lãng, Nguyễn Ban Ga, Nguyễn Đức Đạt, Nguyễn Huy An, Nguyễn Trần Nam, Nguyễn Văn Phúc What’s this fuss? What’s this strange cry? Seven full spirits (*) — half slipped by. Lost a half, not quite the whole, Still enough to play the role! ____________________ “6 v ½” stretches beyond the idea of a group show; it is an unfolding tension — spatial, sensorial, and affective — between what masculinity claims and what it conceals. Born from a passing joke in the haze of a drunken night, the work has grown into a porous assemblage of image, sound, scent, performance, and residue. The space tilts, splits, collapses — invaded by bizarre forms, solitary presences. These objects appear not as universal signs but as private traces — too personal, too peculiar to be decoded through type or symbol.They linger between presence and reticence, between the compulsion to reveal and the instinct to withhold. This restless motion reveals itself in skewed shadows, shifting lights, simmering smells, murmuring machines, and faltering words — all suspended in the shared field: | the fragility & the masculinity | — a condition that can reach neither a plenitude of meaning nor a truly stable referent. --- (*) Seven full spirits (from the original 7 “vía” in Vietnamese) According to Vietnamese folk belief, a man is said to have seven vía (women have nine) — immaterial spirits or life-essences that govern vitality, luck, and emotional balance. The phrase “seven full spirits” echoes this notion while gesturing toward the fragility and flux of masculine identity. The humorous phrase “losing half a spirit” plays on this concept while teasing the idea of masculine instability. With just six and a half left — is one never quite masculine or ever more virile/effeminate? ARTWORKS GALLERY Seven artists, one installation—sharing one stage, one play. You’d think they speak in unison, share one spirit. But well… "One man, two ___ Three men got ___ Four men dropped their ___ Who dropped their ___? Who left? Who left? Four men — no. One man — not yet. Half a man… no? Who says yes? Who wants — ? Who wants... not?" (a made-up rhyme written by Đào Tùng & Nguyễn Trần Nam) OPENING NIGHT See more about artist(s)

Phạm Khắc QuangA solo exhibition by PHẠM KHẮC QUANG 18.01 - 09.03.2019 In Vitra + - March 9, 2019 January 18, 2019 Phạm Khắc Quang ‘In Vitra +' - a solo exhibition by Phạm Khắc Quang, one of the most proficient, diverse and established print artists in Vietnam today. Known for his evocative artworks with a strong personal narrative and connection finding beauty in what others could perceive as the ordinary, in this exhibition, Quang does not offer complex conceptual solutions from the mind of the Artist but an in-depth study and creation of a pioneering process and technique where the Artist tests their capability beyond common bounds. 'In Vitra +' - Quang's fourth solo exhibition shows a body of work created from an ambition to focus solely on his technique and a subversion of the traditional printing technique whilst having the ability to have rest from the creative quest for a defining concept. ARTWORKS GALLERY ‘In Vitra+’ A Solo Exhibition by Pham Khac Quang Bài viết cho triển lãm của Claire Driscoll The choice of medium for an artist is often a combination of personal passion for a technique and process, combined with dedicated direction from an influential teacher or mentor. Print called the most clearly of all practices to PhạmKhắc Quang, who has established himself as one of Vietnam’s most proficient, diverse and established printers, he creates evocative artworks with a strong personal narrative and connection; finding beauty in what others could perceive as the ordinary. In Vitra +, Phạm Khắc Quang’s fourth solo exhibition shows a body of work created from an ambition to focus solely on his technique and a subversion of the traditional printing technique whilst having the ability to have rest from the creative quest for a defining concept. The work you see here does not pretend to offer complex conceptual solutions from the mind of the Artist but is an in-depth study and creation of a pioneering process and technique where the Artist tests their capability beyond common bounds. The choice of medium can often define an Artist’s, work, practice and process - this is especially apparent for a printer. Preparation, testing, planning, technique, the pressure you must learn to apply consistently with both your hand and eye are of equal measure to the response you wish you evoke in your work. The life of a printer can be a complicated emotional response as the practitioner struggles through the definition of their own process before yielding a final result - with often disappointing results for the time laid down beforehand. In Vitra + is a model of Quang’s indomitable desire to make and create, dissatisfied with the constraints press printing can bring but married to the process and technique, Quang looked to deconstruct the material and processes to break away from traditional norms. Beginning with early experiments in ceramic Quang’s gaze moved to glass and stainless steel and he became convinced and fascinated by the possibility of printing onto new surfaces. A complex lonely discourse of sampling, trialing, broken glass, poor prints and bus journeys to use a kiln in another province contributed to the creation of the work you see here in Manzi. In Vitra + is an incomplete completion, a pause to reflect on the achieved new technique which will not only inform future projects but shows the result of an intensely involved and varied journey of discovery. The works here are created as more a body of completed sketches - a documented archive of a perfected technique – than final artistic solutions. More than 1500 hours of trials allowed Quang to progress to this point, hours filled with the discovery of working with an alien medium – glass/stainless steel - and the knowledge gained to create these pieces. Quang has found himself bound by a new set of constraints, a familiar concept to printers: the size of the kiln in which to fire the work, the viscosity of the pigment used to print onto new surfaces, the searing temperatures and the fragility of the glass combined with the interaction of the glass with the printing press, and the unforgiving surface of the metal. Phạm Khắc Quang has broken and recreated not just his technique but his vision and capability as a printer and redefined his role as a practitioner. Too often the printer as an Artist can be mistaken for that of an Artisan, this body of work stands defiant in the face of the supposition that the personal process of the Artist as maker is irrelevant. OPENING NIGHT See more about artist(s)

mixed media Đào Tùng biography Dao Tung is a multidisciplinary artist whose experiments with sound, installation and video draw heavily from his practice as a composer and sound artist. A graduate of the University of Economics Ho Chi Minh City, Tung has since worked on various experimental performances and theater productions as a visual artist, composer and director, in Vietnam, as well as Korea and the US. One of his most notable theater projects is Erasable (2012), a five-act performance that sought to blur the distinction between art and the quotidian. Tung is also a founding member and organizer of the art event Nổ Cái Bùm (Hue, 2020 and Dalat, 2022), and a co-founder of Open Room and Nest Studio. In 2021, he was chosen as one of the finalists of the prestigious Dogma Prize. Dao Tung’s works have been featured in various individual and group exhibitions, including Edge of the Citadel , Hue, Vietnam, 2022; Video Box , as part of the online SWAB Barcelona Art Fair, Barcelona, Spain, 2020; Henosis , Baik Art Seoul, Seoul, South Korea, 2018; Open Room II , Capa Studio, HCMC, Vietnam, 2016; and howdy cowboy , MoT+++, HCMC, Vietnam, 2015. In 2017, he participated in the Open Studio residency at 18th Street Arts Center, Santa Monica, CA, USA. works This artist currently has no available work at Manzi works '- -' ĐÀO TÙNG 2022 22,5 cm x 32cm x 1,5cm Copper box, letters carved on copper, typewriter letters, paper (unlimited edition) Enquire works '- -' ĐÀO TÙNG 2022 22,5 cm x 32cm x 1,5cm Copper box, letters carved on copper, typewriter letters, paper (unlimited edition) Enquire related My Zootopia The sky is the same everywhere Catching Faces Faint Traces the sky, the sand, the lashing waves following the stone wall and we found an electric generator 6𝒗➡️¹/² The world as a draft The Fifth Cardinal Direction Spatium 47 Days, Sound-less in spaces of everyscape, at time without end </3 Hồi Sóng Birdsong on our pathway vol. 4 Entrusted Conjectures Hanoi 1985 - 2015, In The Years Of Forgetting Then and Now, Hanoi streets in transition 'Neo-Romanticism' More than Human #1 Arca Noa no-think The Four Subjects A saga of unrealised projects what's going on at Manzi My Zootopia | Zootopia của tôi See more December 28, 2025 Bầu trời ở đâu cũng giống nhau | The sky is the same everywhere See more November 8, 2025 Tình See more October 5, 2025 Tình See more October 4, 2025 Bắt mặt | Catching Faces See more October 4, 2025 Tình See more October 3, 2025 Artist Talk vs Nguyễn Thị Thanh Mai See more September 27, 2025 Art Tour | Những Vệt Mờ / Faint Traces See more September 10, 2025 Những Vệt Mờ | Faint Traces See more September 6, 2025 Between the Strings See more August 5, 2025

Vương ThạoA solo exhibition by VƯƠNG THẠO 13.09 - 23.09.2013 Vuong Thao's Frozen Dreams - September 22, 2013 September 13, 2013 Vương Thạo ARTWORKS GALLERY OPENING NIGHT See more about artist(s)

Hà Mạnh ThắngA solo exhibition by HÀ MẠNH THẮNG 18.07 - 04.08.2014 Fading Dream - Disintegrating Realities - August 4, 2014 July 18, 2014 Hà Mạnh Thắng As a preview for his solo show at Thavibu Gallery in Bangkok, Thailand in September 2014, this show presents Ha Manh Thang’s latest creations to Hanoi's audience. Shifting away from portraying urban landscapes with iconic architectures and housings typical of contemporary Vietnam, in his new series of paintings, Thang is exploring with such themes as memories, history and cultural heritages. "...Sometimes I question myself: At the end, to where does art lead us? We work with great effort to make our art newer and fresher, but is that important or is art like a journey that leads back to nature – we go away and then come back to the beginning where we started? All turbulences and changes are part of impermanence. It seems that in both art and life there still exists something like those temples and ruined costumes... The best selection is that by nature – where there are things that we humans can’t control." (Ha Manh Thang) ARTWORKS GALLERY OPENING NIGHT See more about artist(s)

sketch Trịnh Nhật Vũ biography Born 1990 in Hanoi, and graduated from the Fine Art University of Vietnam in 2013, in the recent years, young painter Trịnh Nhật Vũ has gained a huge attention from the art community of Vietnam for his amazing technique in oil paintings depicting daily objects and architectures. Vũ has participated in a wide range of exhibition in Vietnam and abroad, such as ‘More than a Monarch’, Thailand; Pulau Ketam International Arts Festival 2014, Malaysia; ‘Propaganda Art Now!’, Hanoi; The 15th International Calligraphy and Painting Exchange Exhibition, Tokyo Metropolitan Art Museum in Ueno, Tokyo, Japan. works This artist currently has no available work at Manzi works Genesis 1:3 - and the light appeared TRỊNH NHẬT VŨ 2019 29 x 20 cm pencil on paper Enquire works Pulau Ketam Temple by night TRỊNH NHẬT VŨ 2016 34 x 24 cm acrylic on canvas Enquire related My Zootopia The sky is the same everywhere Catching Faces Faint Traces the sky, the sand, the lashing waves following the stone wall and we found an electric generator 6𝒗➡️¹/² The world as a draft The Fifth Cardinal Direction Spatium 47 Days, Sound-less in spaces of everyscape, at time without end </3 Hồi Sóng Birdsong on our pathway vol. 4 Entrusted Conjectures Hanoi 1985 - 2015, In The Years Of Forgetting Then and Now, Hanoi streets in transition 'Neo-Romanticism' More than Human #1 Arca Noa no-think The Four Subjects A saga of unrealised projects what's going on at Manzi

Maritta NurmiA solo exhibition by MARITTA NURMI 01.11 - 30.11. 2013 ANIMA - November 30, 2013 November 1, 2013 Maritta Nurmi 'Anima' presenting the new works by Maritta Nurmi, is a exhibition in celebration of the 40 year anniversary of the diplomatic relationship between Finland and Vietnam. This new series of works by Finnish artist Maritta Nurmi, Hanoi resident for over 20 years, continually explore the metaphysical and the unknown. The artist continues this challenge with her intellectual probing into the concrete meaning and essence of form and spirit. Depicting animals has long been the domain of artists since the first recorded Paleolithic cave paintings in France and Spain which recent findings have discovered were largely created by women. The artist’s current works use the animal form in many guises. In this new body of work, Nurmi seems to be questioning the necessity of man to create form, to suggest a bond between human and nature, and the implications of such a need or desire. The artist muses, “Many contemporary artists have chosen to use animals in their work as the ultimate “other”, as metaphor, as reflection.” As she ponders this Nurmi questions whether this need to depict animals is an attempt to understand what it means to be animal or is it an expression of our increasing alienation to nature, a loss of this primal connection? Nurmi was trained as a biologist so this exploration and fascination with the animal world is not a new realm. Her works are at once physical, and yet they seem to yearn to be free from constraint. She questions this apparent human need to have form, boundaries, is it a fear of the limitlessness of eternity, a fear of death, a fear of the unknown? Anima is will, consciousness, thought, breath, life, spirit. The question remains with the viewer, a provocation to examine what remains beyond matter, beyond form. *This event is the collaboration of manzi art space with Art Vietnam Gallery, supported by the Embassy of Finland. ARTWORKS GALLERY OPENING NIGHT See more about artist(s)

sculpture Vũ Kim Thư biography Thu Kim Vu was born in 1976 in Hanoi, graduated her BFA from Hanoi University of Fine Arts in 1999, Vietnam and her MFA from the School of the Art Institute of Chicago, United States in 2003. Focus on line drawing, paper material and using temporary spaces, she had been working on different projects through traveling to create a new experience based on how her line drawing changing the atmosphere of each space. Thu has been participated in a number of residencies worldwide including Vermont Studio Center (USA) Goyang National Art studio, (Korea), Sanskriti Kendra, (India), KuenstlerdorfSchoeppingen (Germany), Mc Coll Center of Visual Art (USA), Rockefeller Bellagio Center (Italy), Museum of Contemporary Art, A Coruna ( Spain)…which contribute a great influence in shaping her works into many directions. In recent years, Thu was interested in Japanese culture and her studies of Washi paper leads her to new experimentation with paper sculpture and lighting based on her current experience in three residencies in Japan: Kamiyama Artists in Residence Program, Mino Paper Art Village and Sapporo Artist in Residence Program. Her current work is the project in progress with miniature landscape drawing using the free form of light sculpture influence from the lantern Art in Japan combine with her brushstrokes of ink. works This artist currently has no available work at Manzi works Daydreaming stroll no. 4 VŨ KIM THƯ 2024 17 (L) x 16 (W) x 14 (H) ink, washi paper, dzo paper & lightbulb Enquire works Daydreaming stroll no. 2 VŨ KIM THƯ 2024 23 x 16 x 39 cm (L-W-H) ink, washi paper, dzo paper & lightbulb Enquire works Long television VŨ KIM THƯ 2023 24 x 11 x 7 cm ink, dzo paper & lightbulb Enquire works Daydreaming stroll no. 3 VŨ KIM THƯ 2024 24 x 15 x 31 cm (L - W- H) ink, washi paper, dzo paper & lightbulb Enquire works Daydreaming stroll no. 1 VŨ KIM THƯ 2024 21 x 16 x 30 cm (L - W - H) ink, washi paper, dzo paper & lightbulb Enquire related My Zootopia The sky is the same everywhere Catching Faces Faint Traces the sky, the sand, the lashing waves following the stone wall and we found an electric generator 6𝒗➡️¹/² The world as a draft The Fifth Cardinal Direction Spatium 47 Days, Sound-less in spaces of everyscape, at time without end </3 Hồi Sóng Birdsong on our pathway vol. 4 Entrusted Conjectures Hanoi 1985 - 2015, In The Years Of Forgetting Then and Now, Hanoi streets in transition 'Neo-Romanticism' More than Human #1 Arca Noa no-think The Four Subjects A saga of unrealised projects what's going on at Manzi My Zootopia | Zootopia của tôi See more December 28, 2025 Bầu trời ở đâu cũng giống nhau | The sky is the same everywhere See more November 8, 2025 Tình See more October 5, 2025 Tình See more October 4, 2025 Bắt mặt | Catching Faces See more October 4, 2025 Tình See more October 3, 2025 Artist Talk vs Nguyễn Thị Thanh Mai See more September 27, 2025 Art Tour | Những Vệt Mờ / Faint Traces See more September 10, 2025 Những Vệt Mờ | Faint Traces See more September 6, 2025 Between the Strings See more August 5, 2025

mixed media Ngô Đình Bảo Châu biography Born in 1986, graduating from the Ho Chi Minh University of Fine Arts, Ngo Dinh Bao Chau is one of the emerging faces of Vietnamese contemporary art scene. Majored in lacquer painting - a traditional medium - at university, Ngo Dinh Bao Chau, from early on her practice has worked with a wide range of materials and experimented with different surface textures of objects, from traditional painting (in laquer, in silk) to resin, terrazzo, wood, cement, steel and particularly trúc chỉ – paper made from the purées of bamboo, corn and duckweed. Her practice examines contemporary life in Vietnam; she repurposes objects and images in order to challenge the dualisms and tensions that exist in society. In her most recent work, Ngo Dinh Bao Chau appropriates the symbols which are part of a collective, cultural memory, and places them in an imagined homespace. Through her multimedia installations, the artist comments on the power of repetition, and explores the indistinction between public and private space. Ngo Dinh Bao Chau has held various exhibitions within the region and abroad, including Silk of light, San Art Productions x Phuong My, Ho Chi Minh City; Block of Silence, SECC, Ho Chi Minh City; Where The Sea Remembers, The Mistake Room, Los Angeles, CA, USA; Bodies Survey(ed), San Art, Ho Chi Minh City; She, Sweet ‘Art, London, UK, travelled to Little Pink Monster Gallery, TX, USA; Body Bouquet, Welch School Galleries, Atlanta, GA, USA; Out of Nowhere, Sao La, Ho Chi Minh City; and My Eldest Sister, San Art, Ho Chi Minh City. In 2018 she was selected for the apexart Fellowship in New York, USA, and in 2010 undertook the 943 Studio arts residency in Kunming, China. In 2016 she received a grant from the Denmark–Vietnam Cultural Development and Exchange Fund for Open Room – an open studio event with artists Cam Xanh, Lap-Xuan N. Do, Kim Duy, and Dao Tung. works This artist currently has no available work at Manzi works Withered sunlight falling by day & night NGÔ ĐÌNH BẢO CHÂU 2022 20 x 15 x 105 cm ceramic blade mounted on bamboo rod, fastened with wicker string Enquire related My Zootopia The sky is the same everywhere Catching Faces Faint Traces the sky, the sand, the lashing waves following the stone wall and we found an electric generator 6𝒗➡️¹/² The world as a draft The Fifth Cardinal Direction Spatium 47 Days, Sound-less in spaces of everyscape, at time without end </3 Hồi Sóng Birdsong on our pathway vol. 4 Entrusted Conjectures Hanoi 1985 - 2015, In The Years Of Forgetting Then and Now, Hanoi streets in transition 'Neo-Romanticism' More than Human #1 Arca Noa no-think The Four Subjects A saga of unrealised projects what's going on at Manzi My Zootopia | Zootopia của tôi See more December 28, 2025 Bầu trời ở đâu cũng giống nhau | The sky is the same everywhere See more November 8, 2025 Tình See more October 5, 2025 Tình See more October 4, 2025 Bắt mặt | Catching Faces See more October 4, 2025 Tình See more October 3, 2025 Artist Talk vs Nguyễn Thị Thanh Mai See more September 27, 2025 Art Tour | Những Vệt Mờ / Faint Traces See more September 10, 2025 Những Vệt Mờ | Faint Traces See more September 6, 2025 Between the Strings See more August 5, 2025

print Nguyễn Đức Hạnh biography Nguyen Duc Hanh was born in 1981 and graduated from the Vietnam University of Fine Arts in 2012, the same year he was given the consolidation prize from the ASIAN Graphic Design Exhibition. Since then, Hanh has been involved in various exhibitions including the ‘Graphic Design Exhibition’ - France - 2012 and the ‘Young Artist Festival’ - Hanoi - 2014. Hanh’s printwork has been widely appreciated by art lovers of Hanoi for its delicate details and colours. works This artist currently has no available work at Manzi works In the nest #1 NGUYỄN ĐỨC HẠNH 2019 20 x 20 cm Zincograph print Enquire works In the nest #3 NGUYỄN ĐỨC HẠNH 2019 20 x 20 cm Zincograph print Enquire works In the nest #2 NGUYỄN ĐỨC HẠNH 2019 20 x 20 cm Zincograph print Enquire works Woman NGUYỄN ĐỨC HẠNH 2016 22 x 24 cm Zincograph print Enquire related My Zootopia The sky is the same everywhere Catching Faces Faint Traces the sky, the sand, the lashing waves following the stone wall and we found an electric generator 6𝒗➡️¹/² The world as a draft The Fifth Cardinal Direction Spatium 47 Days, Sound-less in spaces of everyscape, at time without end </3 Hồi Sóng Birdsong on our pathway vol. 4 Entrusted Conjectures Hanoi 1985 - 2015, In The Years Of Forgetting Then and Now, Hanoi streets in transition 'Neo-Romanticism' More than Human #1 Arca Noa no-think The Four Subjects A saga of unrealised projects what's going on at Manzi

Nguyễn Thế Sơna dialogue between Nguyễn Thế Sơn & William Crawford Then and Now, Hanoi streets in transition - May 20, 2023 April 26, 2023 Nguyễn Thế Sơn 8 Façade photos by William Crawford and 8 Photo relief works in response by Nguyen The Son. Complementing this expose of everyday life in Hanoi is the exhibition in the Manzi Exhibition Space of 8 facades of houses in Hanoi by William Crawford taken nearly 30 years ago juxtaposed with the current 8 facades in photo relief that correspond to these images by Hanoi’s celebrated photographer, Nguyen The Son. For his response to William Crawford’s images, Son uses his own unique prize winning medium of photo relief that he developed while completing his master’s in photography at the Central Academy of Fine Art in Beijing, China in 2012. Building a 3-dimensional structure of layers of each photo, the artist makes the structure come alive, inserting into the street side all types of conveyances that change with the times from the pedicab to the bicycle to the motorbike to the luxury car, all symbols of the rapid transformation of the city. As neon lights take over gas lamps, bold advertising usurps the quiet somber atmosphere and pulses with the energy of contemporary life. A quiet contemplative beauty gives way to the cacophony and action of a modern-day city on the move, racing to the future. The Son is well known for his efforts to promote the arts of Vietnam through not only his own work but also through numerous public art projects that he has organized such as the Phung Hung Street and Phuc Tan project that brings art to the community by involving artists and the local people in all aspects to make art to benefit the culture, environment, and promote tourism. Art Vietnam Gallery and Manzi Art/Exhibition Space want to express our deep gratitude to the American Embassy for their generous support of this exhibition and also all the efforts of American artist David Thomas, founder of the IAP arts foundation without whom this exhibition would not have been possible. We also want to thank the photographer William Crawford’s son, William Crawford Jr., who accompanied his father in the past on some of his journeys to Hanoi, for dutifully and beautifully printing the works of his father. An homage to the love and respect for his father. Enjoy this walk into the life of our beloved Hanoi, past and present, moving forward with grace and dynamism. Suzanne Lecht ARTWORKS GALLERY OPENING NIGHT See more about artist(s)

mixed media Nguyễn Kim Tố Lan biography Born in 1982 in Ho Chi Minh City, Lan graduated from the Ho Chi Minh Fine Art University in 2005. She is actively engaged in both the local and regional art scenes as a multimedia artist, organiser of art events and independent curator. Lan’s notable exhibitions include: ‘Goodbye to the 40th Anniversary of the Vietnam War’ -Chicago, US, ‘Hoan hô – Bravo’ - Hanoi, Vietnam, ‘Imkmi’ - Tokyo, Japan, ‘Voi de Nuit | Nightflight | Bay đêm’ – Ho Chi Minh City, ‘The Walker’ Ho Chi Minh City, ‘Nửa bầu trời’ - Galerie Quynh, Ho Chi Minh City, ‘Blink’ - San Art, Ho Chi Minh City works This artist currently has no available work at Manzi works Mental cube (the right-hand version) NGUYỄN KIM TỐ LAN 2022 9 x 5 x 3,5 cm (sculpture) & 24,5 x 56 cm (painting) clay sculpture & color pigments on paper Enquire related My Zootopia The sky is the same everywhere Catching Faces Faint Traces the sky, the sand, the lashing waves following the stone wall and we found an electric generator 6𝒗➡️¹/² The world as a draft The Fifth Cardinal Direction Spatium 47 Days, Sound-less in spaces of everyscape, at time without end </3 Hồi Sóng Birdsong on our pathway vol. 4 Entrusted Conjectures Hanoi 1985 - 2015, In The Years Of Forgetting Then and Now, Hanoi streets in transition 'Neo-Romanticism' More than Human #1 Arca Noa no-think The Four Subjects A saga of unrealised projects what's going on at Manzi